Inspired to Paint from Everywhere I have been inspired to create colorful landscapes and have been painting expressionistic canvases for over 20 years. The landscape design and construction business that my husband and I run together has provided us with a great life and my art has provided me with emotional happiness. Bob and I have been able to travel and follow our passions because of our hard work and the success of our business. With my husband’s support, I have felt driven to pursue my artist dreams! I love coming up with creative ideas of visually stimulating landscape and paintings. My journey to create beauty has always been fun!

As a young adult I dreamt of living in SOHO in New York City, where I would live minimally in a loft apartment and paint thick, vibrant color on big canvases. I dreamed about being featured in an art gallery. However, logic and reason rose to the occasion and my occupational direction became landscape architecture. Not only was it the logical choice since I was an avid plant collector, planned, planted and grew herb and flower gardens but my art skills would come into play. It would give me a decent lifestyle.

So now I consider myself a landscape artist. This profession has allowed me to grow three dimensionally and not just one dimensionally as a painter.

I think I developed my life’s goals early, around 10. My Grandma who lived in Los Angeles gave me the opportunities to visit her in sunny colorful flamboyant Venice Beach and Santa Monica California. Her garden was always full of a lush array of the most amazing tropical plants – lemon and limes, avocados, hibiscus, fuchsias, etc. My mom saw my interest and nurtured them by planting and growing gardens, teaching me how to drive a tractor, and harvest the apples from the old lighting struck apple tree.

In college it took more than interests and gardening skills. The professors were hard. It did not matter how hard it was, I was committed to landscape architecture and had to stay on course. Changing course meant more time and more money.

After college I jumped right into my profession of landscape architecture working in southern California assisting with the yard designs of celebrities. Then I continued my work in Central Oregon where I am currently an owner of a landscape construction business. Moving fast each day I have had many unique work challenges such as scheduling, budgets (unrealistic sometimes), visions, and employee dynamics. In my profession I can be an artist by creating landscapes that I see as living sculpture for people to enjoy.

However, the profession I have chosen has also given me the freedom to continue my love of painting. Two of my clients who are professional artists have encouraged me never to let go of the art. Dinah James, who I painted with every Monday for 2 years, said to not stop. “You are good and need to create big paintings! Life gets busy with kids and you have to save the time to paint.”

So I painted my world and Whose World Is it? This painting was a turning point where I let my imagination run wild and began my signature thick paint application with a palette knife. And wild it is – a scene with animals – monkeys, elephants sprouting out of skyscrapers, giraffes, and cheetah walking on water, flamingo, and eagle swooping into the city. I painted it with thick bright intensity.

Norma Holmes, another professional artist and friend of mine encouraged me also. Before she was a professional pastel landscape painter, she owned 2 beauty salons and a cattle ranch in northern California. She had a degree in fine art and always took lessons and painted at least once a week. I thought if Norma continued her love while running 2 businesses and a ranch then I could.

Art made its way back into my life after having kids. I decided to jump back in and take classes from Norma and she has been my mentor ever since. I have learned so much about color and composition. I have always kept the income happening as a landscape artist.

Then I got the bug to teach art in the elementary school when my son Angelo started school. I believe kids need to have an understanding of art and its relevance in history and they need to express themselves. There wasn’t and isn’t much art education in our schools unless the child is fortunate to have a teacher who sees the importance. Angelo’s teachers were very open to it and gave me full reign to create an art curriculum. Wow, I had a lot of energy! Some of the projects we tackled were big and had potential to get out of hand. For example with 3rd and 4th graders, I painted abstract art with catsup bottles and brooms on the playground asphalt, did Art Literacy in several classrooms for many years, and directed many Family Art Nights in our public elementary school. I still get excited walking into the classroom with the art cart. The kid’s faces beam with big smiles. It makes me happy when they see me in town and say, “there is my art teacher”.

One of my recent art ventures is a dog series called Traveling Dogs. It started with Yelapa Charlie the Basset Hound who guided my husband and I to our hotel while vacationing in Mexico. I keep painting dogs both from Sisters and my travels.

My current paintings are of my travels from northern to southern Italy – Venice to the Aeolian Islands. After spending five weeks there with my family, I have been painting the towns, people, dogs, and the landscape of Italy.

Next on my painting bucket list are paintings of the Caribbean Islands — People of Puerto Rico, and the Hawaiian Islands — Maui Clarity. In the meantime, I keep designing and Bob keeps building clients’ dreamscapes so that we can satisfy our hunger to travel to the many places that I can paint. Yes, I still do want to be the next female Picasso. Like Picasso who painted until he was 98, I too will keep filling the canvas with vibrant color.

Working in a rented cabin on a snowy day.

I have been traveling in and painting the rural towns and landscapes of Oregon and Washington.  This is where I set up my plein air easel and capture the naturally choreographed pastoral scenes of mountains, meadows, pastures, old barns, vineyards, and gardens in an abundance of color and emerge myself in a lifestyle I’ve romanticized about most of my life. A typical painting day on one of these 4-day adventures include: starting with 2 cups of strong coffee at the local bakery coffee shop, load cooler refreshed with water, tea, local cheese and artisan bread, seasonal fruit, suit up with layers of clothing for all weather changes, organize easel, paints, pizza boxes to transport wet paintings. After scoping out locations I am going to paint the night before, I head to the first location where I paint on 8″ x 10″ or 9″ x 12″ on board. When the light changes and before the painting becomes overworked, I stop and relocate and begin a new one. I will add subtle touches of detail later back at the room I’ve rented during my stay. And the goal is not to lose the freshness and energy or feeling that I felt while painting. These small paintings I create on location are filled with direct brushstrokes of paint while minimizing extraneous detail that is not necessary to the composition’s strength.